EDITED COLLECTIONS
1. Joycean Possibilities: A Margot Norris Legacy. Ed. with Joseph Valente and Kezia Whiting (New York and London: Anthem Press, 2023).
2. The Edinburgh Companion to Irish Modernism. Ed. with Maud Ellmann and Siân White. (Edinburgh: Edinburgh University Press, 2021).
3. Collaborative Dubliners: Joyce in Dialogue, ed. Vicki Mahaffey (Syracuse: Syracuse University Press, March 2012)
An innovative collection of essays on each story in Dubliners, each written by a pair of specialists in dialogue with one another. Contributors include Derek Attridge, Margot Backus, Gabrielle Carey, Kathryn Conrad, Kimberly Devlin, Marian Eide, Maud Ellmann, Anne Fogarty, Andrew Gibson, Michael Patrick Gillespie, Michael Groden, James Hansen, Brandon Kershner, Karen Lawrence, Jennifer Levine, Barbara Lonnquist, Mary Lowe-Evans, Margot Norris, Mark Osteen, Vincent Pecora, Jean-Michel Rabaté, Marilyn Reizbaum, Paul Saint-Amour, Carol Shloss, Joseph Valente, and David Weir.
CURRENT PROJECTS
Zerothruster: Essays on Finnegans Wake, II.ii. Ed. by Vicki Mahaffey, Shinjini jChattopadhyay, Yaeli Greenblatt. Accepted: Brill.
Never After: Femininity as Fairy Tale
Argues that we can better appreciate the culturally specific nature of how “femininity” is constructed across time and nationality by comparing different versions of the same fairy tale. Such comparisons illuminate how these versions endorse dramatically different values, and it sets the stage for a new appreciation of women writers who attempted to rewrite the script for femaleness against the familiar traditions of their culture by rewriting these tales: especially Angela Carter, Anne Sexton, and Jeanette Winterson.
May Sinclair, The Creators, ed. Vicki Mahaffey and Wendy Truran, general editor Rebecca Bowler, Edinburgh University Press, in progress.
ARTICLES
1. “Joyce’s Racial Comedy.” Race in Irish Literature and Culture, ed. Malcolm Sen and Julie Weng (Cambridge, Cambridge University Press, 2024), pp. 121-142.
2. “Who Resembles Molly Bloom?” (on the “Penelope” episode) Special edition of the Joyce Studies Annual marking the 100th Anniversary of the publication of Ulysses (Fordham University Press, 2023), pp. 361-77.
3. “Changing Perspective: Why Style and Structure Matter in Ulysses,” in Joycean Possibilities: A Margot Norris Legacy, ed. Joseph Valente, Vicki Mahaffey, and Kezia Whiting (New York and London: Anthem, 2023), pp. 189-204.
4. Short piece on the significance of Ulysses after 100 years, James Joyce Literary Supplement, vol. 36, Issue 1, 2023: stars.library.ucf.edu/jjls/
5. “Nausicaa.” The Cambridge Centenary Ulysses: The 1922 Text with Essays and Notes, ed. Catherine Flynn (Cambridge: Cambridge University Press, 2022). I am also part of a podcast connected with the edition: https://u22pod.com/episodes/episode-\13-nausicaa
6. “Irish Christian Comedy,” The Edinburgh Companion to Irish Modernism, ed. Maud Ellmann, Sîan White, and Vicki Mahaffey (May 2021): 284-98.
7. “Feeling Ulysses: An Address to the Cyclopean Reader,” with Wendy Truran. In Ulysses: Philosophical Perspectives, ed. Philip Kitcher (Oxford: Oxford University Press: 2020).
8. “Yeats, Joyce, and Beckett: Darkening Freedom,” Cambridge History of Modernism, ed. Vincent Sherry (Cambridge: Cambridge University Press), 2016.
4. “James Joyce’s Dubliners: Living Halfway,” Gale Research volume, 2016 (online publication).
5. “The Flaming Door: ‘Ricorso,’” for Pluralities of Reading Finnegans Wake: Seventeen New Essays on the Chapters, ed. Kimberly Devlin and Christine Smedley (University Press of Florida), 2015: 290-306.
6. “Yeats and Bowen: Posthumous Poetics,” for Yeats and Afterwords, ed. Marjorie Howes and Joseph Valente (University of Notre Dame Press), 2014: 254-82.
7. “Streams of Consciousness: Stylistic Immediacy in the Modernist Novel,” for A Handbook of Modernism Studies, ed. Jean-Michel Rabaté (Wiley-Blackwell, 2013), pp. 35-54.
8. “Bloom and the Ba: Voyeurism and Elision in ‘Nausicaa,’” in European Joyce Studies, 22, ed. R. Brandon Kershner and Tekla Mecsnóber (Amsterdam: Rodopi, 2013): 113-118.
9. “Portal to Forgiveness: A Tribute to Ibsen’s Nora,” South Central Review, special issue on Forgiveness, 27.3 (Johns Hopkins U. Press), ed. Marian Eide, fall 2010: 54-73.
10. “Middle Yeats: In the Seven Woods (1903) to Responsibilities (1914),” with Joseph Valente, in W. B. Yeats, ed. Edward Larrissy (Dublin: Irish Academic Press, 2010), pp. 48-65.
11. “Silence and Fractals in ‘The Sisters,’” with Michael Groden. In Collaborative Dubliners, ed. 5 Vicki Mahaffey (Syracuse: Syracuse University Press, 2012).
12. “The Small Light in ‘A Little Cloud’,” with Marian Eide. In Collaborative Dubliners, ed. Vicki Mahaffey (Syracuse: Syracuse University Press, 2012).
13. “Introduction.” With Jill Shashaty. Collaborative Dubliners: Joyce in Dialogue, ed. Vicki Mahaffey (New York: Syracuse University Press, 2012).
14. “Shocking Language: Robert Sage and the Circuitry of Meaning,” in Joyce’s Disciples Disciplined: A Re-examination of the ‘Exagmination’ of ‘Work in Progress,’ ed. Tim Conley
(Dublin: University College Dublin Press, 2010), pp. 107-118. A contemporary response to Our Exagmination Round his Factification for Incamination of Work in Progress by Samuel Beckett, Marcel Brion, Frank Budgen, Stuart Gilbert, Eugene Jolas, Victor Llona, Robert McAlmon, Thomas McGreevy, Elliot Paul, John Rodker, Robert Sage, William Carlos Williams (New York: New Directions, 1929).
15. “Gender,” in Yeats in Context, ed. David Holderin and Ben Levitas (Cambridge: Cambridge University Press, 2010), pp. 193-202.
16. “Love, Race, and Exiles: The Bleak Side of Ulysses,” James Joyce Annual (New York: Fordham University Press, 2007): 92-108.
17. “Dubliners: Surprised by Chance,” A Companion to James Joyce (Blackwell Companions to Literature and Culture), ed. Richard Brown (Oxford: Basil Blackwell, 2007).
18. “Joyce and Gender,” Palgrave Advances in James Joyce Studies, ed. Jean-Michel Rabaté (Palgrave, 2004).
19. “On Art and Books: An Alphabet,” exhibition catalogue on Ciarán Lennon, Chester Beatty Library, Dublin, Ireland, Fall 2003.
20. “An Art of the Possible,” exhibition catalogue on Ciarán Lennon, National Gallery of Ireland, January 2003.
21. “What’s in a Name?” for the Rosenbach Museum and Library catalogue, Ulysses in Hand: The Manuscript (winner of Division One, 2001 Katharine Kyes Leab and Daniel J. Leab American Book Prices Current Exhibition Awards competition)
22. “Sidereal Writing: Male Refractions and Malefactions in “Ithaca,” in Ulysses: En-Gendered Perspectives, ed. Kimberly J. Devlin and Marilyn Reizbaum (University of South Carolina Press, 1999): 254-66.
23. “Ulysses and the End of Gender,” in A Companion to James Joyce’s Ulysses (Case Studies in Contemporary Criticism), ed. Margot Norris (New York: Bedford Books, 1998): 151-168. Republished in European Joyce Studies, 10: Masculinities in Joyce, ed. Christine Van Boheemen and Collen Lamos (Amsterdam: Rodopi, 2001): 137-62.
24. “Framing, Being Framed, and the Janus Faces of Authority” (redaction of the chapter on A Portrait of The Artist as a Young Man in Reauthorizing Joyce), in Critical Essays on James Joyce’s A Portrait of the Artist as a Young Man, ed. Philip Brady and James F. Carens (New York: G.K. Hall and Co., 1998): 290-315. Republished in James Joyce’s A Portrait of the Artist as a Young Man: A Casebook, ed. Mark Wollaeger (Oxford: Oxford University Press, 2003): 207-244.
25. “Fantastic Histories: Nomadology and Female Piracy in Finnegans Wake,” in Joyce and the Subject of History, ed. Mark Wollaeger, Victor Luftig, and Robert Spoo (Ann Arbor: University of Michigan Press, 2006): 157-76.
26. “Heirs of Yeats: Eire as Female Poets Revise Her,” in The Future of Modernism, ed. Hugh Witemeyer (Ann Arbor: University of Michigan Press, 1996): 101-117.
27. “Fascism and Silence: The Coded History of Amalia Popper,” James Joyce Quarterly, 32 (Spring/Summer 1995): 501-22.
28.“Père-version and Im-mère-sion: Idealized Corruption in A Portrait of the Artist as a Young Man and The Picture of Dorian Gray,” special issue of the James Joyce Quarterly on “Joyce and Homosexuality”: 189-206. Redacted for Quare Joyce, ed. Joseph Valente (Ann Arbor: University of Michigan Press, 1998): 121-136. Chosen as one of the best 50 essays in the James Joyce Quarterly over 50 years.
29. “Virginia Woolf,” in The Columbia History of the Novel, ed. John Richetti, et. al. (New York: Columbia University Press, 1994): 789-818.
30. “Modernist Theory and Criticism,” in The Johns Hopkins Guide to Literary Criticism and Theory, ed. Martin Kreisworth and Michael Groden (Baltimore: Johns Hopkins University Press, 1993): 512-14.
31. “The Importance of Playing Earnest: The Stakes of Reading Ulysses,” in Approaches to Teaching James Joyce’s Ulysses, ed. Erwin Steinberg and Kathleen McCormick (New York: Modern Languages Association, 1993): 139-48.
32. “’Minxing Marrage and Making Loof’: Anti-Oedipal Reading,” James Joyce Quarterly, 30 (Winter 1993: 219-37.
33. “Wunderlich on Joyce: The Case Against Art,” Critical Inquiry, 17 (Summer 1991): 171-91.
34. “Intentional Error: The Paradox of Editing Joyce’s Ulysses,” in Representing Modernist Texts: Editing as Interpretation, ed. George Bornstein (Ann Arbor: University of Michigan Press, 1991). Reprinted in James Joyce’s Ulysses: A Casebook, ed. Derek Attridge (Oxford: Oxford University Press, 2004).
35. “Joyce’s Shorter Works,” in The Cambridge Companion to James Joyce, ed. Derek Attridge (Cambridge: Cambridge University Press, 1990): 185-211.
36. “Wagner, Joyce, and Revolution,” James Joyce Quarterly, 25 (Winter 1988): 237-47.
37. “Giacomo Joyce,” in A Companion to Joyce Studies, ed. Zack Bowen and James F. Carens (Westport: Greenwood Press, 1984): 387-40. Reprinted in Giacomo Joyce: Envoys of the Other, ed. Louis Armand and Clare Elizabeth Wallace (Prague: Litteraria Pragensia, 2007).
38. “’The Death of St. Narcissus’ and ‘Ode’: Two Suppressed Poems by T. S. Eliot,” American Literature, 50 (Jan. 1979): 604-12.
39. “On Being Beaten by Angry Yanguesans Armed with Packstaves,” ADE Bulletin (Fall 1979): 100-102.
LECTURES AND CONFERENCE PAPERS (SINCE 1984)
Keynotes and Plenaries:
Master Graduate Class on Joyce, Mapping Ulysses, Joycean Cartographies: Huntington Library, 2 February 2022.
“Changing Perspective: Why Style and Structure Matter in Ulysses.” Keynote, Ulysses at One Hundred. Boston University, April 30, 2021.
Joyce and Feminism Now (plenary panel). International James Joyce Foundation Conference, Antwerp, Belgium, June 16, 2018.
“Female Adultery and Everyday Life: Exiles, Ulysses, and French Literature,” Trieste Summer School, Trieste, Italy, June 26, 2018
“Feeling Ulysses,” Andrew Steiner Lecture, St. John’s College, Annapolis, MD, March 25, 2016
“Yeats’ Fabulous, Formless Darkness” (keynote), Mapping Yeats, Kansas City, MO., Sept. 4, 2015
“The Assassination of St. Patrick” (keynote), Boston Joyce Forum, Boston College, April 11, 2015
“Human Objects in Joyce and Cocteau” (keynote), Objects of Modernity, University of Birmingham, June 23-4, 2014
“List, List, O List! The Spectrality of Joyce’s Dubliners” (keynote), James Joyce Research Colloquium, University College Dublin, April 13, 2014
“James Joyce’s Ulysses: Textual Excess and the Reconfiguration of the Subject” (plenary), Forms of Fiction Conference, University of Chicago, November 2013.
“Practicing Joyce,” keynote at Joycean Worlds Conference, University of Otago, New Zealand, October 2013
“Portals of the Scriptural: The Sacred and the Fun” (keynote), International James Joyce Symposium, Dublin, Ireland, June 15, 2012.
“Holy Fun,” Boston Joyce Forum, April 21, 2012
“Finn Again: Finnegans Wake and the Odysseys of Huck Finn, Finn MacCool, and the Salmon,” Public lecture, Northwestern University, April 18, 2012.
“Sex, Lies, and Reading: The Book as Bed in the Works of James Joyce” (keynote): University of Louisville, Conference on Twentieth-Century Literature and Culture, February 2009.
“A Portrait of the Artist as a Sympathetic Villain: Forgery, Melodrama, and Silent Film” (Keynote), International James Joyce Symposium, Austin, Texas (June 2007) also given at the University of Illinois at Champaign-Urbana, October 2007 and the University of Durham, February 2008.
Other Conference Presentations and Invited Lectures:
“Adultery, Adulteration, and Adulthood in Ulysses.” Boston University, October 16, 2021.
“Embodying Knowledge,” Zerothruster Workshop on FW II.ii, Zurich Joyce Stiftung, August 2019.
“Sexual Justice,” 24th World Congress of Philosophy, Beijing, China, August 2018
“Psychosexuality in Joyce,” Ireland in Psychoanalysis 2: Irish Shame. SUNY Buffalo, September 28-29, 2018
“’Fabulous, Formless Darkness,’ or Yeats’s Heroism,” SUNY Buffalo, 2 March 2018. http://www.internationalyeatssociety.org/content/%E2%80%9C%E2%80%98fabulous-formless-darkness%E2%80%99-or-yeats%E2%80%99-heroism%E2%80%9D-vicki mahaffey
“The Excised Irishness of Exiles,” for James Joyce’s Exiles at 100, Modern Language Association Convention, January 6, 2018
“Adultery and the Everyday: A Poetics of Growth,” ALSCW Conference, Dallas, Texas, October 28. 2017.
A Duologue on Finnegans Wake, with Finn Fordham. Modernist Studies Association Conference, Amsterdam, August 2017.
“Beckett’s Christian Comedy,” Beckett Beyond the Normal Conference, Halifax, Novia Scotia, 28 July 2017.
“Excised Irishness: The Case of Elizabeth Bowen,” American Conference for Irish Studies, Kansas City, MO, April 1, 2017.
“Feeling Ulysses,” University of Wisconsin, April 2016
“Adultery after Flaubert,” International James Joyce Symposium, London, England, June 2016
“Revisiting Madame Bovary,” Midwest American Conference for Irish Studies, University of Kansas, Sept. 24, 2016
“Adultery and the Everyday: Flaubert and Joyce,” CUNY, Nov. 11, 2016
“Joyce’s/Attridge’s Peculiar Language,” Attridge at 70 Conference, University of York, York, England, May 23, 2015
“Beckett and Finnegans Wake, The Inaugural Conference of the Samuel Beckett Society, Phoenix, Arizona, 20 February 2015
“A Portrait of the Artist as a Young Girl and Joyce’s Last, Excremental Self-Portrait,” Modernist Studies Association, Pittsburgh, November 2014
“Reflections In, On, and By Ulysses,” Whitman College (invited lecture), September 2014.
“Barthelme’s Snow White: An American Tragicomedy in Black and White,” Modernist Studies Association, University of Sussex, August 2013.
“Yeats and Enchantment,” on “Reconsidering Yeats: Music, Magic, Minimalism,” ACIS Conference, March 2012
“When Coverage is Impossible: Identifying the Stakes of Modernist Experimentation,” What Was the Modernist Novel? Modernist Studies Association, Buffalo NY, October 7, 2011
“How Normative is Molly Bloom?” Roundtable on Embodiment, ACIS, Madison, WI, March 31, 2011.
Dublin Wake-End, November 2010 (sponsored by University College Dublin). Co-moderated with Derek Attridge a session on The Ondt and the Gracehoper episode of Finnegans Wake.
“Hibernia and Hibernation: Island of Hunger and Sleep,” University of Notre Dame, November 8, 2010.
Lecture on Finnegans Wake at the James Joyce Summer School, Dublin, Ireland, Summer 2010
“The Sadeian Gerty” and roundtable on “The Integrity of Finnegans Wake,” International James Joyce Symposium, Prague, Czech Republic, June 2010
“Joyce’s Beds,” Knox College, April 2010
Keough-Naughton Center for Irish Studies, University of Notre Dame: “Finn Again: Huck Finn, Finn MacCool, and the Salmon: The Irish-American Odyssey of Finnegans Wake, Feb. 26, 2010
Panel on Collaborative Dubliners, Buffalo Joyce Symposium, June 15, 2009.
“Sex and the Salmon” and “Presence of Mind in Ulysses,” two papers presented at the International James Joyce Symposium, Tours, France, June 2008.
“Finn MacCool, Huck Finn, and the Naming of Finnegans Wake,” European Modernism and the Avant-Garde Conference, Ghent, Belgium, May 2008.
“Joyce’s Beds,” University of Rome (III), April 2008.
“Silence and Fractals in ‘The Sisters,’ Dublin James Joyce Research Colloquium, Dublin, Ireland, April 2008.
“On Reading Blindly,” University of Illinois at Champaign-Urbana, April 2007. Also given at the University of Leeds, November 2006.
“On Beds,” Invited Lecture at the Dublin James Joyce Centre, November 2006. Also given at
“Real Things”: a conference at York University, July 2007.
“Habit and Debit in ‘Grace,’” Modern Language Association Conference, December 2006
“Close Joycean Readings: Passage from ‘Nausicaa,’” International Joyce Symposium, Budapest, Hungary, June 2006.
“On Female Disobedience: The Pressure to Marry and the New Woman’s Answer,” Invited Public Lecture as honorary Norris Fellow, Oklahoma State University, March 2006
“On Fat, Feminism and Finnegans Wake,” presented at Joyce Summer schools in Trieste, Italy and in Dublin, Summer 2005
“The Reader’s Stake in Modern Literature,” University of York, January 2005
“Modernism and Disobedience,” University of Edinburgh, January 2005
“Why Read Challenging Literature?” Royal Holloway, University of London, December 2004, and at St. John’s College Oxford, October 2004
“Those Dirty Sheets,” International Joyce Symposium, Dublin, June 2004
“Joyce and the Future,” public lecture, Sydney Writers Conference, Australia, June 2004
Also the keynote talk at a University of Kansas conference, May 2004; Camden Community College (May 2004) and a lecture series entitled “Insights from Literature and Theology in Wilmington, Delaware (April 2004)
“Sexuality and Textuality in Wilde’s Salome,” Loyola College of Baltimore, Mary 2004
“Why Read Challenging Literature?” Tulane University, February 2004. Also given for the lecture series on “Insights from Literature and Theology,” Wilmington, Delaware, November 2001
“James Joyce’s Dubliners and the Hunger for Life,” Lecture Series on the Irish Famine, Camden County Community College, May 2003
“Joyce and Zizek,” Modern Language Association Conference, December 2002
“Joyce and Homeric Hospitality,” International Joyce Symposium, Trieste, Italy, June 2002
“Modernism as Expunged Historical Memory,” Sorbonne Nouvelle, Institut du Monde Anglophone, Paris, September 2001
“The New Woman and the Prohibition of Female Excess,” Modernist Studies Assn. Conference, October 2001, Houston, Texas
“Joyce, Ireland, and Hibernation,” Lecture Series in Irish Studies, Princeton University, March 2001
“T. S. Eliot and Oscar Wilde,” Modernist Studies Assn. Conference, Philadelphia, October 2000
“Little Harry Hughes: Annotations for the Hypertext Edition of Ulysses” and “The Spiritual Side of Joyce and Wilde,” International Joyce Symposium, London, June 2000
“Exile: The Bleak Side of Ulysses,” Joyce Summer School, Dublin, July 1999
“Sexuality and Textuality in Joyce’s Exiles” and “The Magi and Mosaic Law: Joyce, Yeats, and the Judeo-Christian Tradition,” International Joyce Symposium, Charleston, South Carolina, June 1999
“Wilde’s Fans: Film in the Tradition of Lady Windermere,” Tulane University, April 1999. Also given at a special series on Oscar Wilde and the Culture of the Fin de Siècle at the Clark Library in Los Angeles, March 1999 and the University of Illinois at Champaign-Urbana
“The Darkening Thirties,” Knox College, Galesburg, Illinois, November 1998
“Beauty as Corruption: The Greenness of Oscar Wilde,” Conference on Aesthetics and Ethics, Texas A&M University, March 1998
“A Scary Wildman, or Nothing Wilde?” St. John’s College, Oxford University, February 1998
“Rebellion and Redemption in the 1890s,” Lecture series called Insights from Literature and Theology, Wilmington, Delaware, November 1997
“Is Isolde Old? Fat, Feminism, and Finnegans Wake,” International Joyce Symposium, Toronto, Canada, June 1997
“Oscar Wilde: A Study in Green,” American Conference for Irish Studies, Albany NY, April 1997
“Joyce’s Jewish Poetics” and “Joyce and Fantasy,” International Joyce Symposium, Zurich, Switzerland, June 1996
“De-Siring Women,” Modern Language Assn. Convention, Chicago, December 1995
“History, Multinationalism, and Finnegans Wake,” James Joyce Summer School, Dublin, July 1995. Also given as the Julian B. Kaye lecture at Brooklyn College, CUNY, May 1995
“Heirs of Yeats: Eire as Female Poets Revise Her,” American Conference of Irish Studies, Charleston, March 1995
“Fantastic Histories,” University of Tulsa, April 1994. Shorter version given at the Modern Languages Assn. Conference, San Diego, December 1994
“The Politics of Modern Irish Poetry,” Modern Language Assn. Convention, Toronto, December 1993
“Brian Friel’s Dancing at Lughnasa,” Sunday Evening Seminar, Philadelphia Drama Guild, October 1993
“The Spiritual Side of Oscar Wilde,” Insights in Literature and Theology, Wilmington, Delaware, Oct. 1993. “The Early Poetry of W. B. Yeats” given as part of the same series in Oct. 1994, and “Joyce and Anti-Semitism” presented in October 1995
“Joyce and Sexuality” and “Finnegans Wake: The Ricorso,” International Joyce Symposium, Irvine, California, June 1993
“Joyce, Modernism, Censorship and the Law,” at “Joyce, Modernism, and the Social Function of Art,” a one-day symposium at UC Irvine, July 1993
“The Historical Amalia Popper,” Joyce and Biography, Miami Joyce Conference, January 1993
“Male and Female Unmask We hem,” Modern Languages Assn. Convention, New York, Dec. 1992
“Joyce and Homosexuality” and “Joyce and Marriage,” International Joyce Symposium, Dublin, June 1992
Respondent to Hans Walter Gabler, Conference on Editorial Theory and the Humanities, University of Michigan, November 1991
“Wunderlich on Joyce,” James Joyce Society, Gotham Book Mark, New York, June 1991. Also given as the Julian B. Kaye Lecture, Brooklyn College, CUNY, April 1990, and at the University of Michigan, October 1988
“Joyce and Deleuze,” Northeastern Modern Language Assn. Conference, April 1991
“Anti-Oedipus and Stephen’s Hamlet Theory,” International Joyce Symposium, Monaco, June 1990
“Odd Evenness in Flann O’Brien’s At Swim-Two-Birds,” Modern Language Assn. Conference, Dec. 1989
“Joyce and Justice,” International Joyce Symposium, Philadelphia, June 1989
“Joyce and Theatricality (Exiles),” International Joyce Symposium, Venice, June 1988
“The Penelope Syndrome: Texts, Textiles, and the Textures of Ulysses,” California Institute of Technology, Feb. 1986
“Joyce and Issues of Authority,” International Joyce Symposium, Philadelphia, June 1985
“Joyce and German Thought,” International Joyce Symposium, Frankfurt, Germany, June 1984